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Laura Anderson '21
Taken while walking in my hometown of Washington, D.C.
2020
Photograph
By Laura Anderson '21
A fantastical city illustrating a water-based transportation system.
Digital painting
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
2018
Acrylic paint and multimedia on canvas
This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.
2017
Ink on Paper
I use this artwork to ask, “What has become of our childhood innocence?”
2019
ink on paper, collage
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Link to Website
Photography
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
2022
Acrylic Paint on Canvas
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
Digital illustration and collage
I painted a face digitally, and I like frames, angels, and rocket ships.
Digital Art
This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.
Oil paint on canvas
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
Hide my anger behind flowers // my anxiety behind moths // my sadness behind ▓▓▓
Photoshop
inspired by Mondays, morning showers, and an addiction to caffeine.
Digital illustration
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
As a landscape photographer, I like to see things in different light.
2016
Photo with artistic editing
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Oil Paint on Canvas