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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Roble Arts Gym (RAG) Messy Arts Space

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Anderson Collection patrons Christine Nicholas and Julia Procopé stop to discuss the Mary Weatherford’s, “black painting” a gift of Debra and Steven Wisch'83, in honor of the Anderson family.
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Hey, where are you right now?

I love the idea of a personal brand, especially in 2016.

2014

Color Film

By Chase Porter '17
Newborn

A mother lamb takes gentle care of her newborn.

2019

Oil Paint on Canvas

By Tracy Wei '26
ˋ-sunlit-ˎ

Warm summer portrait of girl reading.

Link to Website

2018

Photoshop

By Angela He '21
Black Liberation Month Community Mural

This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”

2023

Acrylic on Paper

By Sky Walker '24
Humanity in the operating room

These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.

2017

Digital photography

By Soraya Fereydooni '20
Metamorphosis

Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article

2018

Studio photography

By Jessica Yeung '21
A Still from At Bay: Chapter One – How to Start a Startup

At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.

Link to Website

2016

Still from a web series

By Katie Adams '17
Lightbulb of the Lightning Bugs

I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.

2021

MultiMedia(Charcoal and Colored Pencil)

By Janice Li '24
Swimming

A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.

2021

Oil Paint on Canvas

By Christina Ba '26
self control (hot tub)

This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.

2022

Oil Paint on Canvas

By Cairo Mo '20
Stanford Logo Photo Mosaic

Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.

2020

Digital Photograph

By Alex Fu '22
Don’t Stare

This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.

2023

Oil and Acrylic Paint on Canvas

By Emily Zhang '26
Heal

This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.

2022

Pencil on paper

By Bryan Defjan '24
X

Art reveals souls in day and night.

A dynamic clash, emotions entwined,

In this vibrant realm, our spirits aligned.

2024

Digital Media – Made with Procreate for Apple iPad

By Lavinia Pedrollo '28
Desire

Self portrait at the height of COVID and my own extraordinary depression.

2020

Oil paint on canvas

By Sophia Siegel '25
On How to Land a Kiss

This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea.
Link to Artwork

2022

Writing

By Tyler Newman '25
Carnage in the Natural World

This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope.
Link to Artwork

2023

Poetry

By Brooklynn LiCastro '23
Tree

This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.

2018

Watercolor and black ink

By Alejandro Poler '19
Transparency

A commentary on the fifth stage of grief: acceptance.

2021

Acrylic on Canvas

By Victoria Lin '27
Wilting tree

I wanted to render a tree during a vibrant morning on The Farm from a design perspective.

2016

Ink Resist

By Brooke Ferber '20
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Artwork

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