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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Anderson Collection patrons Christine Nicholas and Julia Procopé stop to discuss the Mary Weatherford’s, “black painting” a gift of Debra and Steven Wisch'83, in honor of the Anderson family.
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Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
bubbleUp

The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.

2023

Algorithmic Art made with Processing

By Krystal Li '26
coffee showers

inspired by Mondays, morning showers, and an addiction to caffeine.

2019

Digital illustration

By Elaine Park '21
head in the clouds

Girl has a moment of clarity when her head is in the clouds.

2018

Photoshop

By Angela He '21
Explosive Bloom

A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.

2021

Wood Sculpture

By Zaki Rob '25
Il Fait Noir

Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”

2019

Photograph of Man in Paris

By Charlie Jarvis '19
Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By Andrew Sungtaek Ingersoll '25
Andhra Summers

This poem is dedicated to street children in Andhra Pradesh, India, who continue to face extraordinary barriers in education, health, and security.
Link to Artwork

2019

Creative Writing (Poetry)

By Harika Kottakota '20
Wind

Released some restless energy onto paper with this portrait sketch.

2020

Graphite on Paper

By Phoebe Kimm '20
Looking Back 2021

2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.

2021

Acrylic Paint on Canvas

By Sarah Dong '26
Joshua Tree

A Joshua Tree, with its grotesque appearance, instantly demands attention.

2018

Photograph of Landscape

By Brian Nguyen '21
She’ll make it.

Silhouette of a black woman, breathing her way through.

2020

Acrylic on Canvas

By Brandi Ransom '23
Renowned Bodies

This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.

2018

Acrylic Paint on Canvas

By Susy Manrique '19
Princess Going Digital

Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.

2023

Gouache on Paper

By Malavika Kannan '24
Untitled

[how I avoid winter quarter: experiments with colors and a palette knife]

2017

Oil Paint on Canvas

By Meg McNulty '20
untitled (screen painting)

A medium exploration of painting on windows screens.

2018

window screens, oil paint

By Vivienne Le '19
Lost Between Worlds

Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.

2017

Photograph

By Helen Liu '20
Best Value

This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.

Link to Website

2023

Acrylic on Canvas

By Sharon Zhang '27
My Boy

How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?

2022

Acrylic on canvas

By Victoria Hill '20
from now on

This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.

2023

ink on rice paper; poetry

By Katie Han '23
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