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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Ë‹-sunlit-ËŽ

Warm summer portrait of girl reading.

Link to Website

2018

Photoshop

By Angela He '21

I Have A Right To Show My Color, Darling

A collection of 8 poetic pieces that pull from, build upon, and draw inspiration from the Brown queer experience of a drag artist at a PWI.
Link to Artwork
Link to Website

2024

Collection of Poetry

By Zaki Rob '25

Flames

A study on ephemeral hands, and an attempt to capture desperate grasping.

2014

Gesso on card.

By Katherine Yang '20

exhausted

She wipes the mask off after a long day.

2018

Photoshop

By Angela He '21

Streebal: Stories of Women and Power (Pre-show photoshoot)

In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.

2016

Photograph

By Robin Willscheidt '19

Digital Future

This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.

2022

Linoleum Block Print on Paper

By Hannah Cha '25

Burnout

This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.

2020

Digital Illustration

By Felicity Huang '25

Last Light on Haight St

A classic San Francisco house is bathed in orange light at sunset.

2022

Oil paint on panel

By Christina Kent '22

Self-Portrait

This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.

2018

Oil paint on canvas

By Madeleine Yip '02

Ocean View

Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.

2018

Adobe Photoshop Illustration

By Helen He '23

Untitled

A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.

2019

Oil paint on Canvas

By Mackenzie Carlson '23

“Can’t Wait To Be Back” and for the one with hot balloons, it’s “Happiness is a Journey”

A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.

2022

Digital

By Helena Zhang '22

Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By Jamie Seney '21

Art Library

This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.

2016

Digital Photograph

By Connor Gilmore '21

Feminism!

This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!

2016

Digital art

By Katherine Liu '18

Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2

These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.

2020

Collage & ink pen

By Kyle Cromer '20

Life Like Weeds nos. 2 & 3… Archimedean Solids or The Passage from Virgin to Bride… Eternal Sunshine or The Bride Laid Upon the Altar… In Fifteen Minutes Everyone Will Be Famous

These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.

2019

Collage, ink pen

By Kyle Cromer '20

Melting Flesh

This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.

2022

3D animation (Blender)

By Laia Bent '25

Tree

This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.

2018

Watercolor and black ink

By Alejandro Poler '19

Headdress girl

I met this young girl at a rural health clinic in Indonesia, where she had just given birth.

2014

Pencil and paper

By Elizabeth Hyde '20
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