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These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
By Ashi Agrawal '19
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
2016
Digital Visual Art
By Andrew Lesh '19
This means “my cabbage” in Russian, and the word also means “money”. This was inspired by a photo from r/peopleofwalmart.
2020
Digital Art
By Majorca "Jorie" Bateman-Coe '20
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
2016
Digital Visual Art
By Andrew Lesh '19
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
By Vivian Xiao '28
This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.
2018
Watercolor and black ink
By Alejandro Poler '19
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
By Elaine Park '21
In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.
2020
Digital inkjet print
By Harry Cole '20
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
2018
Oil Paint on Canvas
By Lorena Diosdado '21
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2018
Photo
By Lining Sun '18
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
2018
Photograph on Canvas, Embroidery
By Francesca Colombo Colombo '19
Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom
2016
Black & white photography
By Soraya Fereydooni '20