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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Roble Arts Gym (RAG) Messy Arts Space

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Cairo Mo '20

Art Practice 2020

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self control (hot tub)

night

bite back

tide

19 Self-Care Tips To Try Out

pink pink pink pink pink moon

time

middle passage

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Monstera

Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.

2024

Sculpture

By Cooper Shea '24
EXPLOSIONS

This piece is a manipulated photograph printed on metal.

2019

Mixed Media on Metal

By Constantinos Gallis '24
Gotham (Lower East Side, New York City)

every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it

2018

Acrylic on Canvas

By Vedika Kanchan '23
Two versions of my favorite picture of the church

As a landscape photographer, I like to see things in different light.

2016

Photo with artistic editing

By Lining Sun '18
A Matter of Time

A wristwatch lies across a keyboard with numbers juxtaposing letters, emphasizing how some things are not meant to be rushed and will happen in time.

2019

Acrylic on Canvas

By Sarah Dong '26
Quarantine Paintings

These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.

2020

gouache (two images combined digitally)

By Katie Han '23
Lassie

I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.

2019

By Gunner Dongieux '21
Detritus

How do you heal after being discarded?

2021

Acrylic on Canvas

By Victoria Lin '27
A Still from At Bay: Chapter One – How to Start a Startup

At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.

Link to Website

2016

Still from a web series

By Katie Adams '17
Heavy Metal Bouquet

These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.

2024

Original origami flowers on red and silver foil paper; Arranged with silk leaves

By Weber Lin '27
Sandy Treasures

This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.

2022

Acrylic Paint on Canvas

By Sarah Dong '26
Bioluminescence

Mimicking the beauty of bioluminescence.

Link to Website

2022

Digital Photography

By Katie Han '23
Cat in Paris

A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.

2019

Colored Pencil

By Sarah Dong '26
Night Drawing

Night is when the imagination comes alive.

2020

Digital Illustration

By Helen He '23
Stand Up

I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.

2017

acrylic on wood

By Helena Zhang '22
Sea Slug, Giant Green Anemone, Starfish Scene

These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”

2024

Sea Slug is a woodcut and the other two are etchings.

By Will Pangburn '29
Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
I Feel Like A Big Boy

Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling
Link to Artwork

2023

Poetry

By Shlok Sampat '24
Main Quad Blues

Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.

2019

Digital Illustration

By Helen He '23
Digital Future

This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.

2022

Linoleum Block Print on Paper

By Hannah Cha '25
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