Student Artist
Cairo Mo '20
Art Practice 2020
Public Art Installations
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EXPLOSIONS
This piece is a manipulated photograph printed on metal.
2019
Mixed Media on Metal
By Constantinos Gallis '24
one foot in the water
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
2016
Oil on canvas
By Vivienne Le '19
Midas Muffler King
Contemplating place in the West, while memories of home in the South persist.
2018
Acrylic on Canvas 40 x 30 in
By Gunner Dongieux '21
Streebal: Stories of Women and Power (Pre-show photoshoot)
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
By Robin Willscheidt '19
This Too Shall Pass
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
By Jackie Liu '25
“Can’t Wait To Be Back” and for the one with hot balloons, it’s “Happiness is a Journey”
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
2022
Digital
By Helena Zhang '22
An Indian’s Journey to Stanford
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
By Dayeeta Pal '27
Eyes Over
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
By Noah DeWald '20
đà n-ông.exe
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
2024
Video Art
By Han Dao '26
Untitled
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
2019
Oil paint on Canvas
By Mackenzie Carlson '23
Queer Intimacy
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
