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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Angela Liu '23

Undeclared 2023

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Afternoon in Rome

Amboseli

Top of Altare della Patria

Maasai Warriors

Lake Nakuru

Clyde

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Ocean View

Girl meets whale.

2017

Digital Illustration

By Helen He '23

Main Quad at Sundown

Location: Main Quad

2023

Digital Illustration

By Helen He '23

pink pink pink pink pink moon

This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″

2018

Oil paint on canvas

By Cairo Mo '20

Stanford through an artist’s eyes

A watercolor painting of Stanford Campus

Link to Website

2023

Acrylic Painting

By Anushikha Anushikha '25

Cat in Paris

A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.

2019

Colored Pencil

By Sarah Dong '26

Time to Spare

I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.

2016

Digital Photograph

By Connor Gilmore '21

Nostalgia

This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.

2017

Oil Paint on Canvas

By Francesca Colombo Colombo '19

end.

Roses bloom from her cuts.

2018

Photoshop

By Angela He '21

Memorial Church

Light fluctuations through stained glass is always beautiful and ethereal at different times of day.

2025

Photograph of the Stanford Memorial Church

By Vivian Xiao '28

Genesis

This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.

2016

Wax Pastel on Wood

By Lia "Bear" Kim '21

Exotic Oriental Murder Mystery!

This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?

2017

Ink and print on wood

By Olivia Popp '20

Find the Light

This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.

2020

Acrylic on Canvas

By Hannah Cha '25

Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By Hannah Cha '25

Can you read me?

This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.

2018

Photograph on Canvas, Embroidery

By Francesca Colombo Colombo '19

Untitled

A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.

2019

Oil paint on Canvas

By Mackenzie Carlson '23

Night Drawing

Night is when the imagination comes alive.

2020

Digital Illustration

By Helen He '23

Anatomy of the Vogue

Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.

Link to Website

2016

Colored Pencil

By Meagan Wu '18

Untitled (Study for St. Sebastian) and Untitled (Study for Gabriel)

Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.

2018

Graphite and watercolor on paper

By Ali Vaughan '19

Clout Chaser

A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.

Link to Website

2021

Acrylic Paint on Canvas

By Hannah Cha '25

Study of Rodin Bust

This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.

2018

Charcoal, white chalk on toned paper

By Noah DeWald '20
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