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This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
By Noah DeWald '20
Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.
2019
Acrylic on Canvas
By Sarah Dong '26
This is about alienation and emotional expression as a stone, cold figure looks blankly to a wall of artificial expressions in a room.
2021
Digital 3D Render
By Mhar Tenorio '24
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
2017
acrylic on wood
By Helena Zhang '22
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
2023
Wood sculpture, Metal Sculpture. Can also display photos attached instead
By Saanvi Bhatia '27
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
2016
Colored Pencil
By Meagan Wu '18
Art reveals souls in day and night.
A dynamic clash, emotions entwined,
In this vibrant realm, our spirits aligned.
2024
Digital Media – Made with Procreate for Apple iPad
By Lavinia Pedrollo '28
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
2017
Ink and print on wood
By Olivia Popp '20
This piece is a manipulated photograph printed on metal.
2019
Mixed Media on Metal
By Constantinos Gallis '24
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
2020
Body Paint on Skin
By Savannah Mohacsi '20
Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.
2018
Adobe Photoshop Illustration
By Helen He '23
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
By Vrinda Suresh '21
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
By Nick Love '20
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
2022
Oil paint on canvas
By Christina Kent '22
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
2024
Pen & Ink Drawing on Bristol Paper
By Austin Kim '27
