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Yifei He '22
A cat in a Japanese restaurant.
2019
3D computer graphics
By Yifei He '22
A ghostly woman draped in a silk shawl and pearls.
2022
Charcoal
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
2016
Ink Resist on Paper
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
Digital Photograph
Serenity from within results from letting go.
2014
Watercolor
Reflective watercolor painting after a trip to Tokyo.
A colorful view of buildings and the sky over Florence (Firenze).
Oil Paint on Canvas
This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.
2017
Oil on Canvas
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
2018
Markers on paper
Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
2023
Gouache on Paper
A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.
2021
Wood Sculpture
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
Acrylic Paint on Canvas
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
Contemplating place in the West, while memories of home in the South persist.
Acrylic on Canvas 40 x 30 in
I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
Oil paint on Canvas
Released some restless energy onto paper with this portrait sketch.
Graphite on Paper
I painted a face digitally, and I like frames, angels, and rocket ships.
Digital Art
This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.
Ink on Paper