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Oxymoron
“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast.
Link to Artwork
2024
Watercolors and inkpen on mixed media paper
By Lavinia Pedrollo '28
Clam Song, Biter
In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.
2020
Digital inkjet print
By Harry Cole '20
Sleepyhead
Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.
2022
Oil on canvas
By Jackie Liu '25
self control (hot tub)
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
2022
Oil Paint on Canvas
By Cairo Mo '20
Harbor
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
2019
Digital Photographs
By Laura Anderson '21
Monstera
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
2024
Sculpture
By Cooper Shea '24
A Matter of Time
A wristwatch lies across a keyboard with numbers juxtaposing letters, emphasizing how some things are not meant to be rushed and will happen in time.
2019
Acrylic on Canvas
By Sarah Dong '26
Vortex
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
2016
Digital Visual Art
By Andrew Lesh '19
Still Life of a Support System
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024
Oil on Canvas
By Bryan Defjan '24
After Class Hours
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
By Helen He '23
Queer Intimacy
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
Dosed and Exposed
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
2018
Graphite on Paper
By Francesca Colombo '19
Hand over hand
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
By Maia Mosse '20
Portrait of a Glass, Empty (2020); Barriers (2021)
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
2021
Acrylic on canvas, some collage from a news story
By Vrinda Suresh '21