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The feet of my former roommate are greeted by the warm light that streams in through the blinds.
2022
Oil on canvas
By Jackie Liu '25
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
2020
Photography
By Melissa Boswell '21
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
2016
Digital art
By Katherine Liu '18
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
2017
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure
By Vivienne Le '19
This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’
2023
Photograph of Performance (solo play)
By Leeth Singhage '26
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
2022
Wood sculpture
By Bryan Defjan '24
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
2022
Oil on canvas
By Jackie Liu '25
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
Oil on Canvas
By Francesca Colombo '19
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
By Vrinda Suresh '21
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
2023
Wood sculpture, Metal Sculpture. Can also display photos attached instead
By Saanvi Bhatia '27
I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.
2021
Acrylic Paint on Canvas
By Hannah Cha '25
A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.
2018
Colored Pencil on Paper
By German Enik '22