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Student Artist
sociology 2020 @eli_firebender
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
2018
Oil on canvas
I love the idea of a personal brand, especially in 2016.
2014
Color Film
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
Oil paint and thread on canvas
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
2019
Nature Photography
A vivid rainbow above the hoover tower
2017
Photograph of nature
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
2016
Ink Resist
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
Markers on paper
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
As we were walking through the streets in Rome, my mom noticed the harsh shadows hitting the restaurant in front of us, creating gorgeous colors.
Acrylic Paint on Canvas
This is a photo taken in the Main Quad.
Continuation of After Class Hours.
2020
Digital Illustration
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
Linoleum Block Print on Paper
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
Pen and Ink
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
2023
35mm Photography
She wipes the mask off after a long day.
Photoshop
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
Pen and Marker