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As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
Digital Photograph
By Connor Gilmore '21
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
By Jackie Liu '25
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
By Will Pangburn '29
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
By Jackie Liu '25
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
2018
Studio photography
By Jessica Yeung '21
It’s a shame if you did not get around time to see Hoover Tower in different lights.
2018
Photo
By Lining Sun '18
This means “my cabbage” in Russian, and the word also means “money”. This was inspired by a photo from r/peopleofwalmart.
2020
Digital Art
By Majorca "Jorie" Bateman-Coe '20
Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.
2018
Adobe Photoshop Illustration
By Helen He '23
Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.
2016
Black and White photography
By Soraya Fereydooni '20
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
By Helen Liu '20
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
2023
Wood sculpture, Metal Sculpture. Can also display photos attached instead
By Saanvi Bhatia '27
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
By Victoria Chiek '22
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
2018
Charcoal on Paper
By Noah DeWald '20
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
2022
Digital
By Helena Zhang '22
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
2016
Digital art
By Katherine Liu '18