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Tyler Su '20
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
2017
Enamel Paint
By Tyler Su '20
Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.
2022
Oil on canvas
August on my family’s ranch in Jalisco, México.
Link to Website
Environmental Photographs
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
2020
Digital Illustration
Mimicking the beauty of bioluminescence.
Digital Photography
Location: Lathrop 24/7 Study Room
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
Oil paint on canvas
Art reveals souls in day and night.
A dynamic clash, emotions entwined,
In this vibrant realm, our spirits aligned.
2024
Digital Media – Made with Procreate for Apple iPad
I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.
2016
Mixed media (oil paint, charcoal, pastel, grass) on canvas
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
Photograph
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
2019
Digital illustration and collage
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
Oil paint on paper
Bright orange poppies burst into the foreground framed by cool blue houses behind.
Oil paint on panel
A faceless woman in a room of South Vietnamese soldiers
Graphite on Paper
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
Series of Photographs
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
Oil paint and paper on paper
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
Photograph/Scanned Image