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Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
2023
Gouache on Paper
By Malavika Kannan '24
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
2020
gouache (two images combined digitally)
By Katie Han '23
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
2023
Algorithmic Art made with Processing
By Krystal Li '26
This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.
2017
Oil on Canvas
By Francesca Colombo Colombo '19
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
By Ashi Agrawal '19
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
By Dayeeta Pal '27
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
By Darren Shiao '27
An exploration of nature’s healing power as an avenue for escapism and introspection.
2022
Ballpoint and pencil on paper
By Bryan Defjan '24
This project was done on a ten-day summer trip to my family’s ranch.
2017
Environmental Photographs
By Kamilah Arteaga '22
You have pomegranate trees in your backyard, well so do I. Your family can’t afford to live in the Bay Area, well neither can mine…You’re just like me
2024
Oil on canvas
By Aileen Rubio '26
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
2020
Watercolor on Paper
By Marie Bland '23
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
2022
Oil on canvas
By Jackie Liu '25
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
2020
Vector drawing and photography
By Vrinda Suresh '21
