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Tyler Su '20
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
2017
Enamel Paint
By Tyler Su '20
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
Link to Website
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
BEAM Stanford-related photos
Digital photographs
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.
Colored Pencil on Paper, Digital
I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.
2016
Charcoal
A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.
2021
Photography
An ongoing series attempting to create an emotive instant through color theory principles
Acrylic on Canvas
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
Blender 3D Render
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
Ink Resist
An exploration of nature’s healing power as an avenue for escapism and introspection.
2022
Ballpoint and pencil on paper
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Still from a web series
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
Oil paint on Canvas
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
2024
Pen & Ink Drawing on Bristol Paper
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
Acrylic Paint on Canvas
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
Location: Law School terrace
Digital Illustration
Mimicking the beauty of bioluminescence.
Digital Photography
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
Photograph