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I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.
2021
Acrylic Paint on Canvas
By Hannah Cha '25
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
By Darren Shiao '27
The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.
2023
machine embroidery on cotton fabric
By Daniel Richman '27
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
2016
Still from a web series
By Katie Adams '17
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
A fantastical city illustrating a water-based transportation system.
2020
Digital painting
By Catherine Mullings '22
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
2019
Digital Photographs
By Laura Anderson '21
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
By Charlie Jarvis '19
This project was done on a ten-day summer trip to my family’s ranch.
2017
Environmental Photographs
By Kamilah Arteaga '22
Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life.
Duration: 05:05
2018
Video Art
By Chun Wang '19
I use this artwork to ask, “What has become of our childhood innocence?”
2019
ink on paper, collage
By Helena Zhang '22
This image plays with scale, texture, and the physicality of water.
2016
Color Film
By Chase Porter '17
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
2018
oil on cnavs
By Cathy Yang '20
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22