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This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
2022
Oil paint on canvas
By Christina Kent '22
I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.
2016
Mixed media (oil paint, charcoal, pastel, grass) on canvas
By Tyler Dunston '18
The ocean stirs the heart, inspires the imagination and brings eternal joy to the soul. –Robert Wyland
2023
Digital Media – Made in Procreate for Apple iPad
By Lavinia Pedrollo '28
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
By Helen He '23
“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.
2020
Interactive narrative horror game/file explorer experience
By Noah DeWald '20
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
2022
Oil paint on panel
By Christina Kent '22
This project was done on a ten-day summer trip to my family’s ranch.
2017
Environmental Photographs
By Kamilah Arteaga '22
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
2016
Digital Visual Art
By Andrew Lesh '19
Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling
2020
acrylic on cardboard
By Helena Zhang '22
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
2022
Oil on canvas
By Jackie Liu '25
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
By Alexis Ivec '21
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
2017
Photograph
By Julianna Yonis '21
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
2023
Wood sculpture, Metal Sculpture. Can also display photos attached instead
By Saanvi Bhatia '27
