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A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
2019
Acrylic Paint on Canvas
By Sarah Dong '26
Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
2015
Acrylic Paint on Canvas
By Meagan Wu '18
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
2016
Oil on canvas
By Nan Munger '20
Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
2023
Gouache on Paper
By Malavika Kannan '24
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
By Noah DeWald '20
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
2018
Graphite on Paper
By Francesca Colombo '19
Bright orange poppies burst into the foreground framed by cool blue houses behind.
2022
Oil paint on panel
By Christina Kent '22
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
2018
Studio photography
By Jessica Yeung '21
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
Acrylic on Canvas
By Hannah Cha '25
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
2019
Photograph/Scanned Image
By Jacqueline Garcia Peraza '21
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
2016
Digital Visual Art
By Andrew Lesh '19
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
By Helen He '23
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
By Katie Han '23
As a landscape photographer, I like to see things in different light.
2016
Photo with artistic editing
By Lining Sun '18
These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
2018
Photograph of campus scenes
By Khuyen Le '21