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This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
2019
Nature Photography
By Renata Starbird '21
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
2019
iPhone photographs, collaged on Photoshop
By Katie Han '23
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
By Noah DeWald '20
A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.
2021
Acrylic Paint on Canvas
By Hannah Cha '25
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
2020
Acrylic Paint on Canvas
By Hannah Cha '25
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
By Savannah Mohacsi '20
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
2023
Algorithmic Art made with Processing
By Krystal Li '26
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
2023
Charcoal and Mixed Media on Salvaged Cotton and Organza
By Lily Thai '27
Oh! The Puppet Show begins! Here I am the puppet master presenting the BOSP Poland Overseas Seminar with my puppet show I made entirely from scratch!
2017
Photograph of Performance
By Maxwell Menzies '20
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
By Victoria Chiek '22
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
By Helen Liu '20
This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.
2022
Pencil on paper
By Bryan Defjan '24
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
2022
Acrylic Paint on Canvas
By Sarah Dong '26
This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.
2017
Digital Collage
By Delaney Rua '20