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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Lily Thai '27

Art Practice 2027

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Confirmation

Áo Dài in Seven Parts

Untitled

Dinner, Party

Refresh Artwork
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Rancho de San Luis, JAL, MX

August on my family’s ranch in Jalisco, México.

Link to Website

2017

Environmental Photographs

By Kamilah Nicalli Arteaga '22

Renowned Bodies

This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.

2018

Acrylic Paint on Canvas

By Susy Manrique '19

So Hysterical

My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.

2023

Oil paint, acrylic paint, and IUD on wood panel

By Jackie Liu '25

Moss Landing

Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.

2017

Watercolor and Pencil

By Alberto Arvayo '18

California Dreaming: Echoes of Change through Analog Film

Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.

Link to Website

2020

Analog Film

By May Levin '24

EXPLOSIONS

This piece is a manipulated photograph printed on metal.

2019

Mixed Media on Metal

By Constantinos Gallis '24

Self-Portrait Mask

A sketched self-portrait replaced into its photographic context.

2020

Graphite on Paper, Photograph

By Phoebe Kimm '20

Lost Between Worlds

Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.

2017

Photograph

By Helen Liu '20

Rancho de San Luis, JAL, MX

This project was done on a ten-day summer trip to my family’s ranch.

Link to Website

2017

Environmental Photographs

By Kamilah Arteaga '22

Symbiosis

The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.

2017

Laser Cut Birchwood

By Kimberly Te '20

Look Behind You

Impressions of animal magnetism and the collective unconscious.

2017

Digital Visual Art

By Andrew Lesh '19

The claw (updated)

As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18

Hand over hand

Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.

2015

Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.

By Maia Mosse '20

Say Cheese!

This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.

2022

Linoleum Block Print on Paper

By Hannah Cha '25

Julia Fern

This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.

2018

Markers on paper

By Alejandro Poler '19

Dinner, Party

(No description)

2022

Watercolor on Paper

By Lily Thai '27

Moonrise

This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.

2018

Acrylic paint on canvas

By Nicola Buskirk '22

Transparency

A commentary on the fifth stage of grief: acceptance.

2021

Acrylic on Canvas

By Victoria Lin '27

X

Art reveals souls in day and night.

A dynamic clash, emotions entwined,

In this vibrant realm, our spirits aligned.

2024

Digital Media – Made with Procreate for Apple iPad

By Lavinia Pedrollo '28

Desire

Self portrait at the height of COVID and my own extraordinary depression.

2020

Oil paint on canvas

By Sophia Siegel '25
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