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The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
2023
Algorithmic Art made with Processing
By Krystal Li '26
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
2015
Mixed Media
By Noah DeWald '20
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
2024
Sculpture
By Cooper Shea '24
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
2020
Photography
By Melissa Boswell '21
This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.
2016
Wax Pastel on Wood
By Lia "Bear" Kim '21
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
2022
Photography/digital collage
By Vrinda Suresh '21
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
2024
Pen & Ink Drawing on Bristol Paper
By Austin Kim '27
A colorful view of buildings and the sky over Florence (Firenze).
2014
Oil Paint on Canvas
By Francesca Colombo Colombo '19
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
By Dayeeta Pal '27
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
By Ashi Agrawal '19
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
2018
Oil Paint on Canvas
By Lorena Diosdado '21
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
2018
Paper Maps on Cardboard
By Elias Gálvez-Arango '
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
2020
Collage & ink pen
By Kyle Cromer '20
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
2017
Photograph
By Donovan Tokuyama '20
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
By Noah DeWald '20
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
2023
Art book
By Chloe Chang '25