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Katie Han '23
Shriram California photos
2019
Digital photographs
By Katie Han '23
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Link to Website
2016
Photographs
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
Digital art
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
2020
Digital Collage
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
Colored pencil
Roses bloom from her cuts.
2018
Photoshop
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Still from a web series
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
Digital Photograph
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
Linoleum Block Print on Paper
Bright orange poppies burst into the foreground framed by cool blue houses behind.
Oil paint on panel
As a landscape photographer, I like to see things in different light.
Photo with artistic editing
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
Charcoal and Ink on Toned Paper
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
Graphite on Paper
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
acrylic on canvas
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
Wood Sculpture