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Jang Lee '27
I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.
2023
Oil on Canvas
By Jang Lee '27
I painted a face digitally, and I like frames, angels, and rocket ships.
2020
Digital Art
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
2022
Oil Paint on Canvas
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
2018
Markers on paper
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
Graphite on Paper
Taken while walking in my hometown of Washington, D.C.
Photograph
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
Androids may dream of electric sheep, and electric sheep …
doodle
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Link to Website
Photography Series
[how I avoid winter quarter: experiments with colors and a palette knife]
Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.
Oil on canvas
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
Oil on wood panel
A self portrait done in the style of the Old Masters.
Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.
2016
Black and White photography
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
2021
Acrylic on canvas, some collage from a news story
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium. Link to Artwork
2024
print
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
Oil paint on canvas
Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.
2019
Blender 3D render