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Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.
2018
Digital Rendering
By Akshay Dinakar '19
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
2017
Oil paint on paper
By Cairo Mo '20
Self portrait at the height of COVID and my own extraordinary depression.
2020
Oil paint on canvas
By Sophia Siegel '25
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
2016
Oil on canvas
By Vivienne Le '19
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
Photograph
By Yifei He '22
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
2019
By Gunner Dongieux '21
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
By Noah DeWald '20
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
2018
Mixed Media
By Noah DeWald '20
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
By Charlie Jarvis '19
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
2018
Markers on paper
By Alejandro Poler '19
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
2016
Ink Resist
By Brooke Ferber '20
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
2018
Acrylic on Canvas
By Vedika Kanchan '23
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
By Katherine Yang '20
Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.
2016
Black and White photography
By Soraya Fereydooni '20