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Felicity Huang '25
Knowledge allows the mind to bloom.
2022
Digital Illustration
By Felicity Huang '25
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
2018
Markers on paper
I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.
Link to Website
2020
song / soundscape
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
Colored pencil
This painting is a depiction of my first month here at Stanford.
Water Color on Paper
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
2017
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure
These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.
Oil on canvas
Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
Vector drawing and photography
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
acrylic on canvas
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024
Oil on Canvas
A surreal portrayal of the cost of modern designer fashion culture.
2015
Scratchboard
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
No Description
Watercolor on Paper
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
Oil Paint on Canvas
A mother lamb takes gentle care of her newborn.
2019
I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.
Digital Photograph
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
Charcoal and Ink on Toned Paper