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Yifei He '22
Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.
2019
Photograph
By Yifei He '22
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
2017
Watercolor and Pencil
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
2016
Charcoal on paper; flame on tracing paper
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Link to Website
Still from a web series
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast. Link to Artwork
2024
Watercolors and inkpen on mixed media paper
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
Oil on canvas
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
2021
Projection Installation
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
acrylic on canvas
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
ink on rice paper; poetry
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
Gouache on Paper
This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.
Photograph of Athletics
Impressions of animal magnetism and the collective unconscious.
Digital Visual Art
This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.
Oil on Canvas