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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Vedika Kanchan '23

Psychology and Economics 2023 @Vedika

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Sezen

Ahina (Juhu, Mumbai – Home)

Suspended (Acropolis, Athens)

Gotham (Lower East Side, New York City)

Nicollette (Venice, Italy)

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Maasai Warriors

I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.

2016

Charcoal

By Angela Liu '23
skytree: levels

Reflective watercolor painting after a trip to Tokyo.

2016

Watercolor

By Anna Lai '19
window/windows

A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.

2017

Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure

By Vivienne Le '19
Nicollette (Venice, Italy)

Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change

2018

acrylic on canvas

By Vedika Kanchan '23
Clout Chaser

A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.

Link to Website

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Queer Intimacy

These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.

2022

Wood sculpture

By Bryan Defjan '24
Golfing on a Grassy Ground

This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.

2018

Photograph of Athletics

By Christian Ostberg '20
Cityscapes and Scenes

I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.

2022

Watercolor

By Dayeeta Pal '27
Exotic Oriental Murder Mystery!

This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?

2017

Ink and print on wood

By Olivia Popp '20
Nighttime

Mice own your belongings at night.

2016

Charcoal Pencil on Paper

By German Enik '22
i’ll never cry again

Girl restrains her tears for, hopefully, the last time.

2018

Photoshop

By Angela He '21
Figure 57

A fun, surreal piece exploring themes related to the modern food industry.

2014

Watercolor on Paper

By Noah DeWald '20
Submersion

Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.

Link to Website

2015

Acrylic Paint on Canvas

By Meagan Wu '18
Green Library -2

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
Sunset at Sutro Baths

A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.

2022

Oil paint on canvas

By Christina Kent '22
Ocean Beach Poppies

Bright orange poppies burst into the foreground framed by cool blue houses behind.

2022

Oil paint on panel

By Christina Kent '22
Pepsi Cola

This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.

2014

Color Film

By Chase Porter '17
Ebb

This image plays with scale, texture, and the physicality of water.

2016

Color Film

By Chase Porter '17
The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23
Visions of Separation

The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.

Link to Website

2021

Photography

By Bryan Defjan '24
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