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Student Artist
Psychology and Economics 2023 @Vedika
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
2020
Acrylic gouache on Yupo Polypropylene Paper
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
Acrylic Paint on Canvas
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
2018
Studio photography
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
2017
Photograph
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.
Link to Website
2021
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
Laser Cut Birchwood
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
Acrylic on Canvas
This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.
Boulder & Rope
This is the place no one would want to miss.
Photo
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
2016
Oil on canvas
[how I avoid winter quarter: experiments with colors and a palette knife]
Oil Paint on Canvas
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
2022
Photography
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
Ink Resist
Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.
Digital Rendering
This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.
Digital Collage
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
2019
Oil on Canvas
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Analog Film