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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Vedika Kanchan '23

Psychology and Economics 2023 @Vedika

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Sezen

Ahina (Juhu, Mumbai – Home)

Suspended (Acropolis, Athens)

Gotham (Lower East Side, New York City)

Nicollette (Venice, Italy)

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Live This One // Vivelo

This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.

2020

Acrylic gouache on Yupo Polypropylene Paper

By Sonia Garcia '21
Reaching Out

A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.

2020

Acrylic Paint on Canvas

By Sarah Dong '26
Metamorphosis

Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article

2018

Studio photography

By Jessica Yeung '21
Maasai Junior Warrior

Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.

2017

Photograph

By Donovan Tokuyama '20
Sea Slug, Giant Green Anemone, Starfish Scene

These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”

2024

Sea Slug is a woodcut and the other two are etchings.

By Will Pangburn '29
Clout Chaser

A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.

Link to Website

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Symbiosis

The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.

2017

Laser Cut Birchwood

By Kimberly Te '20
Post-Election Blues

Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.

2024

Acrylic on Canvas

By Bryan Defjan '24
Breaking Point

This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.

Link to Website

2020

Boulder & Rope

By Paige Warmington '22
The Church and the center of Stanford

This is the place no one would want to miss.

2017

Photo

By Lining Sun '18
Bruises

Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.

2016

Oil on canvas

By Nan Munger '20
Untitled

[how I avoid winter quarter: experiments with colors and a palette knife]

2017

Oil Paint on Canvas

By Meg McNulty '20
Forest Reverie

Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.

Link to Website

2022

Photography

By Bryan Defjan '24
Wilting tree

I wanted to render a tree during a vibrant morning on The Farm from a design perspective.

2016

Ink Resist

By Brooke Ferber '20
Pavilion

Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.

2018

Digital Rendering

By Akshay Dinakar '19
Untitled

This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.

2017

Digital Collage

By Delaney Rua '20
The claw (updated)

As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
Father Sometime Ago

Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.

2019

Oil on Canvas

By Regina Kong '22
The Ghosts of SKA

This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.

Link to Website

2020

Photography Series

By Victoria Chiek '22
California Dreaming: Echoes of Change through Analog Film

Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.

Link to Website

2020

Analog Film

By May Levin '24
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