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Queer Intimacy
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
Lost Between Worlds
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
By Helen Liu '20
“Can’t Wait To Be Back” and for the one with hot balloons, it’s “Happiness is a Journey”
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
2022
Digital
By Helena Zhang '22
Heavy Metal Bouquet
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
By Weber Lin '27
Trying to Forgive
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
2022
Oil on canvas
By Jackie Liu '25
Reflections
This is a picture of the hub of the city getting reflected in the river water.
2021
Acrylic Paint on Canvas
By Dayeeta Pal '27
Dosed and Exposed
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
2018
Graphite on Paper
By Francesca Colombo '19
Utopia No. 1
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
2018
Paper Maps on Cardboard
By Elias Gálvez-Arango '
A Hand To Hold (World)
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
2018
Acrylic paint and multimedia on canvas
By Jorie Coe '22
Self-portrait
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
2017
Photograph
By Julianna Yonis '21
Untitled (Study for St. Sebastian) and Untitled (Study for Gabriel)
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
2018
Graphite and watercolor on paper
By Ali Vaughan '19
Eyes Over
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
By Noah DeWald '20
Riven
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.
2017
Digital Visual Art
By Andrew Lesh '19
How Small Are We?
Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling
2020
acrylic on cardboard
By Helena Zhang '22