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Student Artist
Chemistry 2025 @leelaann.art
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
2015
Mixed Media
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
2019
Nature Photography
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
2018
Digital Photograph
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
Charcoal and Ink on Toned Paper
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi fish as the two tones mesh following the flow of the fish.
2021
Oil Paint on Canvas
“I’ve loved you since the day I met you”
2023
Acrylic on Canvas
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
(Work in progress) Monstera in grayscale w/ orchre yellow stems
2024
Oil on Canvas
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Link to Website
2022
Interactive Digital Work
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
Studio photography
This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink. Link to Artwork
2020
colored pencil, poetry
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
Acrylic on canvas
Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students
Digital photography prints
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
Pen and Marker
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
Oil paint and thread on canvas
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium. Link to Artwork
print
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
2016