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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Jackie Liu '25

Art Practice 2025 @jackieliuart

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Trying to Forgive

Sleepyhead

Good Morning

So Hysterical

Moral Support

This Too Shall Pass

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Close Modal
Streebal: Stories of Women and Power (Pre-show photoshoot)

In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.

2016

Photograph

By Robin Willscheidt '19
closeted

In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.

Link to Website

2021

Projection Installation

By Jianna So '22
A Matter of Time

A wristwatch lies across a keyboard with numbers juxtaposing letters, emphasizing how some things are not meant to be rushed and will happen in time.

2019

Acrylic on Canvas

By Sarah Dong '26
Burnout

This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.

2020

Digital Illustration

By Felicity Huang '25
Untitled (Study for St. Sebastian) and Untitled (Study for Gabriel)

Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.

2018

Graphite and watercolor on paper

By Ali Vaughan '19
View from Lower Haight

Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.

2022

Oil paint on canvas

By Christina Kent '22
Odonata

Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.

2024

Sculpture

By Cooper Shea '24
body of evidence

This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.

2023

Mixed media (watercolor, charcoal pencils, pencil) on sketch paper

By Smiti Mittal '23
Green Library -2

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
Kimchi Jar: An Interactive Poem

This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.

Link to Website

2023

3D Arduino installation, interactive poetry

By Hannah Cha '25
Lassie

I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.

2019

By Gunner Dongieux '21
Self-portrait

A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.

2020

Digital Collage

By Phoebe Kimm '20
Clyde

This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!

2016

Colored pencil

By Angela Liu '23
Swimming

A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.

2021

Oil Paint on Canvas

By Christina Ba '26
The Ghosts of SKA

This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.

Link to Website

2020

Photography Series

By Victoria Chiek '22
Keyword Poetry

A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.

Link to Website

2017

code poems

By Stephanie Niu '19
Untitled

A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.

2018

Mixed Media/Collage

By Lilith Frakes '21
Sonic Ovum

This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink.
Link to Artwork

2020

colored pencil, poetry

By Sam Howell Petersen '23
More Than A Living Goddess

Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.

2022

Graphite

By Nisha Acharya '26
bubbleUp

The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.

2023

Algorithmic Art made with Processing

By Krystal Li '26
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