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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Jackie Liu '25

Art Practice 2025 @jackieliuart

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Trying to Forgive

Sleepyhead

Good Morning

So Hysterical

Moral Support

This Too Shall Pass

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Graphic Life

A series of photo edits of everyday moments at Stanford.

2017

Digital Art

By Jeramiah Winston '19
Find the Light

This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.

2020

Acrylic on Canvas

By Hannah Cha '25
(un)grounded

Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.

2022

Photography/digital collage

By Vrinda Suresh '21
Clarice

Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.

2020

Oil Paint on Canvas

By Sreya Halder '23
Submersion

Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.

Link to Website

2015

Acrylic Paint on Canvas

By Meagan Wu '18
Headdress girl

I met this young girl at a rural health clinic in Indonesia, where she had just given birth.

2014

Pencil and paper

By Elizabeth Hyde '20
The Cat and the Fish

A cat in a Japanese restaurant.

2019

3D computer graphics

By Yifei He '22
Harbor

These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.

2019

Digital Photographs

By Laura Anderson '21
Quarantine Paintings

These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.

2020

gouache (two images combined digitally)

By Katie Han '23
Self-Portrait Mask

A sketched self-portrait replaced into its photographic context.

2020

Graphite on Paper, Photograph

By Phoebe Kimm '20
What We Build

Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.

2019

Adobe Photoshop Illustration

By Helen He '23
Streebal: Stories of Women and Power (Pre-show photoshoot)

In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.

2016

Photograph

By Robin Willscheidt '19
Ducks of Stanford

Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students

2018

Digital photography prints

By Soraya Fereydooni '20
Doorway to Stanford

India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.

2017

Enamel Paint

By Tyler Su '20
Sandy Treasures

This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.

2022

Acrylic Paint on Canvas

By Sarah Dong '26
primavera sin cueva

This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.

2024

Four color Riso print

By Galia Santana-Oikawa '25
Ebb

This image plays with scale, texture, and the physicality of water.

2016

Color Film

By Chase Porter '17
from now on

This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.

2023

ink on rice paper; poetry

By Katie Han '23
Green Library -2

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
Portrait of Queer Person

The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body

2022

Acrylic paint on canvas

By Aileen Rubio '26
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