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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Christina Kent '22

Economics 2022 @christinakentart

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View from Lower Haight

Last Light on Haight St

Urban Constellations

Ocean Beach Poppies

Last Light over Coit Tower

Tahoe Mountains and Sky

Sunset at Sutro Baths

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Hey, where are you right now?

I love the idea of a personal brand, especially in 2016.

2014

Color Film

By Chase Porter '17
Cityscapes and Scenes

I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.

2022

Watercolor

By Dayeeta Pal '27
Self-Portrait

This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.

2018

Oil paint on canvas

By Madeleine Yip '02
Untitled

A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.

2019

Oil paint on Canvas

By Mackenzie Carlson '23
On How to Land a Kiss

This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea.
Link to Artwork

2022

Writing

By Tyler Newman '25
“Vast, grafted monoculture”

This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”

2020

Vector drawing and photography

By Vrinda Suresh '21
More Than A Living Goddess

Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.

2022

Graphite

By Nisha Acharya '26
Hidden Gems

This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.

2019

Series of Photographs

By Laura Anderson '21
Grief

This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.

2017

Charcoal and Pencil on Paper

By Annie Ng '20
tide

An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.

2018

Oil paint on canvas

By Cairo Mo '20
Last Light over Coit Tower

The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.

2022

Oil paint on canvas

By Christina Kent '22
coffee showers

inspired by Mondays, morning showers, and an addiction to caffeine.

2019

Digital illustration

By Elaine Park '21
Symbiosis

The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.

2017

Laser Cut Birchwood

By Kimberly Te '20
Sea Glass

Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.

2023

Art book

By Chloe Chang '25
People I Met Last Year

These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.

2018

Oil on canvas

By Cathy Yang '20
Way After Class Hours

Continuation of After Class Hours.

2020

Digital Illustration

By Helen He '23
Still I Rise

Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life.
Duration: 05:05

Link to Website

2018

Video Art

By Chun Wang '19
Expressions

This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.

Link to Website

2016

Guitar recording with electronic drums and synths

By Amit Kohli '20
Stanford through an artist’s eyes

A watercolor painting of Stanford Campus

Link to Website

2023

Acrylic Painting

By Anushikha Anushikha '25
Stand Up

I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.

2017

acrylic on wood

By Helena Zhang '22
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