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Brandi Ransom '23
Silhouette of a black woman, breathing her way through.
2020
Acrylic on Canvas
By Brandi Ransom '23
Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom
2016
Black & white photography
A three panel survey of a new environment.
2018
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.
2023
Oil paint, acrylic paint, and IUD on wood panel
An exploration of nature’s healing power as an avenue for escapism and introspection.
2022
Ballpoint and pencil on paper
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
Photograph
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Link to Website
Still from a web series
A light spring shower wakes the soul. Inspired by the Adobe MAX + Inktober 2018 October 15th Prompt: light.
Photoshop
Released some restless energy onto paper with this portrait sketch.
Graphite on Paper
This image plays with scale, texture, and the physicality of water.
Color Film
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
Oil on canvas
A fantastical city illustrating a water-based transportation system.
Digital painting
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
Mixed Media/Collage
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
2021
Projection Installation
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
Acrylic Paint on Canvas
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
Digital Illustration
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
Charcoal, white chalk on toned paper
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
Serenity from within results from letting go.
2014
Watercolor