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Nick Love '20
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Link to Website
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
By Nick Love '20
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
Oil Paint on Canvas
Knowledge allows the mind to bloom.
2022
Digital Illustration
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
2017
Ink and print on wood
v.c.a – an ongoing project and exploration of visual communication through abstraction
2016
Graphic Design
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
Photography
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
2020
Acrylic Paint on Canvas
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
Body Paint on Skin
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
2023
Charcoal and Mixed Media on Salvaged Cotton and Organza
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
Wood sculpture
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
Graphite on Paper
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
Watercolor and Pencil
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
Colored pencil
A watercolor painting of Stanford Campus
Acrylic Painting
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
Photograph on Canvas, Embroidery
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
Graphic Design and Print
Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.
Shriram California photos
2019
Digital photographs
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
Laser Cut Birchwood
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
Paper Maps on Cardboard