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Nick Love '20
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Link to Website
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
By Nick Love '20
Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.
2019
Adobe Photoshop Illustration
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
Mixed Media
I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.
2015
Digital Photograph
I am lucky enough to witness Lagunita being a real lake.
2017
Photo
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
2016
Digital art
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
Oil Paint on Canvas
Continuation of After Class Hours.
2020
Digital Illustration
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.
2022
3D animation (Blender)
A fun, surreal piece exploring themes related to the modern food industry.
2014
Watercolor on Paper
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
Acrylic paint on canvas
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
Wood Sculpture
Location: East Asia Library
2021
A colorful view of buildings and the sky over Florence (Firenze).
[how I avoid winter quarter: experiments with colors and a palette knife]
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
Algorithmic Art made with Processing
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
Oil paint on canvas
A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.
Acrylic Paint on Canvas