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Nick Love '20
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Link to Website
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
By Nick Love '20
v.c.a – an ongoing project and exploration of visual communication through abstraction
2016
Graphic Design
A cat in a Japanese restaurant.
2019
3D computer graphics
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
Pen and Marker
A vivid rainbow above the hoover tower
Photograph of nature
Serenity from within results from letting go.
2014
Watercolor
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
Mixed Media/Collage
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
acrylic and mixed media
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
Digital art
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
Ink and print on wood
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas
This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’
2023
Photograph of Performance (solo play)
A self portrait done in the style of the Old Masters.
Oil Paint on Canvas
A study on ephemeral hands, and an attempt to capture desperate grasping.
Gesso on card.
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
This poem is dedicated to street children in Andhra Pradesh, India, who continue to face extraordinary barriers in education, health, and security. Link to Artwork
Creative Writing (Poetry)
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
Acrylic on canvas
A Joshua Tree, with its grotesque appearance, instantly demands attention.
Photograph of Landscape
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
Charcoal on paper; flame on tracing paper