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Jessica Lee '22
A ghostly woman draped in a silk shawl and pearls.
2022
Charcoal
By Jessica Lee '22
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
Oil paint on canvas
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
2016
Ink Resist on Paper
This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)
2023
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
Oil Paint on Canvas
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
Watercolor
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
De-identified photograph taken for artistic purposes with permission from anatomy professors.
2015
Photograph
Taken while walking in my hometown of Washington, D.C.
2020
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
Watercolor and Pencil
My artwork is a sonnet in which two stars reminisce about Earth. Link to Artwork
Poem
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
Charcoal and Mixed Media on Salvaged Cotton and Organza
A three panel survey of a new environment.
2018
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.
Colored Pencil on Paper, Digital
These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.
Oil on canvas
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
Laser Cut Birchwood
Location: Main Quad
A fun, surreal piece exploring themes related to the modern food industry.
Watercolor on Paper
This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.
Watercolor and black ink