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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Elaine Park '21

Psychology 2021 @elainee.99

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cloudy with a chance of love

coffee showers

Waste Mismanagement

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Close Modal
Andromeda

The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?

2016

Charcoal on paper; flame on tracing paper

By Zhanpei Fang '19
Hidden Gems

*sixth photograph of Hidden Gems series

2019

Series of Photographs

By Laura Anderson '21
Maasai Junior Warrior

Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.

2017

Photograph

By Donovan Tokuyama '20
Elevation

Serenity from within results from letting go.

2014

Watercolor

By Sophia Lu '19
Reaching Out

A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.

2020

Acrylic Paint on Canvas

By Sarah Dong '26
đa-ta

Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.

Link to Website

2024

Video Art (with sound)

By Han Dao '26
Frank’s Blue

This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.

2017

Oil on Canvas

By Francesca Colombo '19
Untitled

This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.

2017

Digital Collage

By Delaney Rua '20
The Spire of Notre Dame

Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.

2020

Pen and Ink

By Sarah Dong '26
Humanity in the operating room

These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.

2017

Digital photography

By Soraya Fereydooni '20
Post-Election Blues

Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.

2024

Acrylic on Canvas

By Bryan Defjan '24
Divination Is In Our Hands Now

Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.

2018

Digital Photographs

By Kevin Chappelle '19
Motherhood Postponed till Further Notice

Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium.
Link to Artwork

2024

print

By Hana Dao '25
Nino

A portrait of a good dog who has traveled a very long way.

2020

Acrylic Paint on Canvas

By Anneke Claypool '21
Hidden Gems

This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.

2019

Series of Photographs

By Laura Anderson '21
Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2

These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.

2020

Collage & ink pen

By Kyle Cromer '20
˗ˏˋ safe ☽ ˎˊ˗

Two girls, Cloud and Moon, are safe in space.

2018

Photoshop

By Angela He '21
Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour

Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.

2020

Scanned magazine collage, colour pencils, and pen on Sketchbook

By Crystal Chen '22
Gotham (Lower East Side, New York City)

every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it

2018

Acrylic on Canvas

By Vedika Kanchan '23
Bruises

Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.

2016

Oil on canvas

By Nan Munger '20
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