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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Roble Arts Gym (RAG) Messy Arts Space

Roble Arts Gym

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Lining Sun '18

Psychology 2018

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Green Library

Arches by Picasso

Two versions of my favorite picture of the church

The Church and the center of Stanford

Hoover Tower Day and Night

Dish in layers

Lagunita

The Quad

Green Library -3

Green Library -2

The claw (updated)

Art at Stanford

Inside the church

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Green Library

As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
At the Dinner Table

My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
end.

Roses bloom from her cuts.

2018

Photoshop

By Angela He '21
The Art of Binaural Beats

I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.

2020

Watercolor on Paper

By Marie Bland '23
Green Library -2

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
More Than A Living Goddess

Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.

2022

Graphite

By Nisha Acharya '26
Wilting tree

I wanted to render a tree during a vibrant morning on The Farm from a design perspective.

2016

Ink Resist

By Brooke Ferber '20
Graphic Life

A series of photo edits of everyday moments at Stanford.

2017

Digital Art

By Jeramiah Winston '19
Last Light on Haight St

A classic San Francisco house is bathed in orange light at sunset.

2022

Oil paint on panel

By Christina Kent '22
Clarice

Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.

2020

Oil Paint on Canvas

By Sreya Halder '23
Frank’s Blue

This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.

2017

Oil on Canvas

By Francesca Colombo '19
Say Cheese!

This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.

2022

Linoleum Block Print on Paper

By Hannah Cha '25
Hidden Gems

This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.

2019

Series of Photographs

By Laura Anderson '21
Confirmation

No Description

2022

Watercolor on Paper

By Lily Thai '27
Photograph of the Campus

This is a photo taken in the Main Quad.

2018

This is a photo taken in the Main Quad.

By Cuiping Cai '22
Last Light over Coit Tower

The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.

2022

Oil paint on canvas

By Christina Kent '22
SJC Logo Redesign

SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.

2016

Graphic Design and Print

By Tyler Su '20
Reaching Out

A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.

2020

Acrylic Paint on Canvas

By Sarah Dong '26
Focus

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By Yifei He '22
Nicollette (Venice, Italy)

Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change

2018

acrylic on canvas

By Vedika Kanchan '23
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