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Katie Han '23
I was inspired by the stillness of this moment, the warm light, and the beautiful shadows created by the trees. This was based on SF Japantown.
2020
gouache on paper
By Katie Han '23
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
Watercolor
The Countour of White Sands NP
2023
Photograph
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
Acrylic Paint on Canvas
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
Mimicking the beauty of bioluminescence.
Link to Website
2022
Digital Photography
Taken while walking in my hometown of Washington, D.C.
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
3D Arduino installation, interactive poetry
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
2018
Acrylic on Canvas
A self portrait done in the style of the Old Masters.
2014
Oil Paint on Canvas
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
Markers on paper
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
Photography
This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.
Watercolor and black ink
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
Ink and print on wood
Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.
2021
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
Girl restrains her tears for, hopefully, the last time.
Photoshop
A study on ephemeral hands, and an attempt to capture desperate grasping.
Gesso on card.