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Katie Han '23
I was inspired by the stillness of this moment, the warm light, and the beautiful shadows created by the trees. This was based on SF Japantown.
2020
gouache on paper
By Katie Han '23
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
acrylic on canvas
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
Link to Website
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
I love the idea of a personal brand, especially in 2016.
2014
Color Film
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
2018
Acrylic on Canvas
Abstract photography with the goal of rendering mundane objects unrecognizable.
Photography
16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.
2023
Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights
Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling Link to Artwork
Poetry
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
Algorithmic Art made with Processing
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas
A classic San Francisco house is bathed in orange light at sunset.
2022
Oil paint on panel
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
Markers on paper
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
2024
Video Art
Episode 1 of an upcoming mystery micro-film series
Short Film
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Interactive Digital Work
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook
Quad is always changing amazingly.
Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.
2016
Acrylic Paint on Canvas
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Photographs