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The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.
2022
Mural
By Aatika Singh '28
As a landscape photographer, I like to see things in different light.
2016
Photo with artistic editing
By Lining Sun '18
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
By Victoria Chiek '22
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
2021
Acrylic on Canvas
By Sarah Dong '26
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
2022
Acrylic paint on canvas
By Aileen Rubio '26
This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.
2024
Four color Riso print
By Galia Santana-Oikawa '25
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
2016
Digital Photograph
By Connor Gilmore '21
This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.
2018
Photograph of a physical collage (paper, printed image)
By Isabel Benak '22
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
2016
Digital Visual Art
By Andrew Lesh '19
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
By Jamie Seney '21
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
By Vivian Xiao '28
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
2017
Oil Paint on Canvas
By Francesca Colombo Colombo '19
Contemplating place in the West, while memories of home in the South persist.
2018
Acrylic on Canvas 40 x 30 in
By Gunner Dongieux '21
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
2024
Video Art
By Han Dao '26
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
By Crystal Chen '22