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Self portrait at the height of COVID and my own extraordinary depression.
2020
Oil paint on canvas
By Sophia Siegel '25
This is an image of a mushroom found on a trail off Old La Honda Road. I wanted to create a mystical yet comforting feeling surrounding the mushroom.
2018
Photography
By Nicholas Robles '20
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
By Charlie Jarvis '19
As we were walking through the streets in Rome, my mom noticed the harsh shadows hitting the restaurant in front of us, creating gorgeous colors.
2016
Acrylic Paint on Canvas
By Angela Liu '23
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
2016
Ink Resist
By Brooke Ferber '20
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
By Noah DeWald '20
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
2022
Photography/digital collage
By Vrinda Suresh '21
A Joshua Tree, with its grotesque appearance, instantly demands attention.
2018
Photograph of Landscape
By Brian Nguyen '21
Hide my anger behind flowers // my anxiety behind moths // my sadness behind â–“â–“â–“
2018
Photoshop
By Angela He '21
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
2019
iPhone photographs, collaged on Photoshop
By Katie Han '23
This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.
2023
Oil and Acrylic Paint on Canvas
By Emily Zhang '26
A portrait of a good dog who has traveled a very long way.
2020
Acrylic Paint on Canvas
By Anneke Claypool '21
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
By Hannah Cha '25