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Student Artist
CS 2020 @phoebekimm
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
2017
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
Acrylic on Canvas
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
Oil on Canvas
Location: Main Quad
2023
Digital Illustration
My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.
Oil paint, acrylic paint, and IUD on wood panel
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
This is a collage I made featuring my favorite colors. There are bits of paper popping off of the page!
2021
Digital Photograph of Paper Collage
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
Photograph on Canvas, Embroidery
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
Girl has a moment of clarity when her head is in the clouds.
Photoshop
Roses bloom from her cuts.
A classic San Francisco house is bathed in orange light at sunset.
2022
Oil paint on panel
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.
Link to Website
Photography
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
Photograph
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
Laser Cut Birchwood
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
Oil on canvas
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
Digital illustration and collage