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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Phoebe Kimm '20

CS 2020 @phoebekimm

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Self-Portrait Mask

Self-portrait

Wind

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Close Modal
Death of Chaos

A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.

2015

Digital Visual Art

By Andrew Lesh '19
Where Language Begins and Does Not End

An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.

2018

acrylic and mixed media

By Syd Westley '21
Train Wreck

I use this artwork to ask, “What has become of our childhood innocence?”

2019

ink on paper, collage

By Helena Zhang '22
Pepsi Cola

This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.

2014

Color Film

By Chase Porter '17
Frank’s Blue

This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.

2017

Oil on Canvas

By Francesca Colombo '19
Nicollette (Venice, Italy)

Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change

2018

acrylic on canvas

By Vedika Kanchan '23
Arches by Picasso

A sense of colorful peace

2018

painting on computer

By Lining Sun '18
Looking Up

Taken while walking in my hometown of Washington, D.C.

2020

Photograph

By Laura Anderson '21
Monstera

(Work in progress) Monstera in grayscale w/ orchre yellow stems

2024

Oil on Canvas

By Chang M. Yun '28
body of evidence

This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.

2023

Mixed media (watercolor, charcoal pencils, pencil) on sketch paper

By Smiti Mittal '23
Still Life of a Support System

Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.

2024

Oil on Canvas

By Bryan Defjan '24
Water City

A fantastical city illustrating a water-based transportation system.

2020

Digital painting

By Catherine Mullings '22
I’m looking at you

The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.

2023

machine embroidery on cotton fabric

By Daniel Richman '27
I Am Home

This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.

2017

Oil on Canvas

By Francesca Colombo Colombo '19
Maasai Warriors

I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.

2016

Charcoal

By Angela Liu '23
Picturing Persian Poetry

Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.

2016

Black and White photography

By Soraya Fereydooni '20
The Cat and the Fish

A cat in a Japanese restaurant.

2019

3D computer graphics

By Yifei He '22
Circulate

Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.

Link to Website

2019

Acrylic tube, yarn, metal hardware, wood, epoxy resin

By Savannah Mohacsi '20
Detritus

How do you heal after being discarded?

2021

Acrylic on Canvas

By Victoria Lin '27
Stanford Logo Photo Mosaic

Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.

2020

Digital Photograph

By Alex Fu '22
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