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Saturday, October 26
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Student Artist
Management Science and Engineering 2021
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Link to Website
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
A Joshua Tree, with its grotesque appearance, instantly demands attention.
Photograph of Landscape
v.c.a – an ongoing project and exploration of visual communication through abstraction
2016
Graphic Design
A vivid rainbow above the hoover tower
Photograph of nature
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
Oil paint on found wood
I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.
Charcoal
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
Ink Resist on Paper
This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’
2023
Photograph of Performance (solo play)
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
2021
Projection Installation
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
2022
Photography
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
Acrylic paint on canvas
A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.
Acrylic Paint on Canvas
This is a photo taken in the Main Quad.
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.
Digital Visual Art
A commentary on the fifth stage of grief: acceptance.
Acrylic on Canvas
Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.
2024
Sculpture
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
2019
Digital Photographs
Girl has a moment of clarity when her head is in the clouds.
Photoshop