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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Helena Zhang '22

Undeclared 2022

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Stand Up

Beyond the Window

Childhood Silence

How Small Are We?

Train Wreck

“Can’t Wait To Be Back” and for the one with hot balloons, it’s “Happiness is a Journey”

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Close Modal
Carnage in the Natural World

This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope.
Link to Artwork

2023

Poetry

By Brooklynn LiCastro '23
Girl, Boy, Beautiful

This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.

2019

Photograph/Scanned Image

By Jacqueline Garcia Peraza '21
Big Tycho

This is a portrait of a cat whom I love and cherish.

2019

Oil on canvas

By Cathy Yang '20
Frank’s Blue

This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.

2017

Oil on Canvas

By Francesca Colombo '19
SJC Logo Redesign

SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.

2016

Graphic Design and Print

By Tyler Su '20
Metamorphosis

Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article

2018

Studio photography

By Jessica Yeung '21
A Still from At Bay: Chapter One – How to Start a Startup

At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.

Link to Website

2016

Still from a web series

By Katie Adams '17
Creative limitation

Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom

2016

Black & white photography

By Soraya Fereydooni '20
Abundance

I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.

2023

Oil on Canvas

By Jang Lee '27
Doorway to Stanford

India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.

2017

Enamel Paint

By Tyler Su '20
Still Life of a Support System

Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.

2024

Oil on Canvas

By Bryan Defjan '24
Childhood Silence

This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.

2016

acrylic on canvas

By Helena Zhang '22
Graphic Life

A series of photo edits of everyday moments at Stanford.

2017

Digital Art

By Jeramiah Winston '19
Melting Flesh

This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.

2022

3D animation (Blender)

By Laia Bent '25
Riven

An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.

2017

Digital Visual Art

By Andrew Lesh '19
Black Liberation Month Community Mural

This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”

2023

Acrylic on Paper

By Sky Walker '24
Cattle Soul

I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.

2015

Mixed Media

By Noah DeWald '20
Yanofsky’s Legacy

Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.

2018

Photograph

By Suzanne Ou '23
Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By Andrew Sungtaek Ingersoll '25
La Belleza Italiana

These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).

2017

Pen and Marker

By Ashi Agrawal '19
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