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Cairo Mo '20
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
2022
Oil Paint on Canvas
By Cairo Mo '20
This is the place no one would want to miss.
2017
Photo
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
2021
Acrylic on canvas, some collage from a news story
February is a gray month, but these flowers bloomed anyway. Link to Artwork
2024
sublimation print on synthetic blue satin
A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
2019
Colored Pencil
This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.
2018
Photograph of a physical collage (paper, printed image)
Two girls, Cloud and Moon, are safe in space.
Photoshop
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
Acrylic on Canvas
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
Digital
Episode 1 of an upcoming mystery micro-film series
Link to Website
Short Film
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
Oil on canvas
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.
Digital Visual Art
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
Oil paint and thread on canvas
Mount Daly in Snowmass, Colorado
Gouache paint on watercolor paper
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
Sculpture
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
Photograph of Man in Paris
“I’ve loved you since the day I met you”
2023