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Cairo Mo '20
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
2022
Oil Paint on Canvas
By Cairo Mo '20
A ghostly woman draped in a silk shawl and pearls.
Charcoal
Location: Law School terrace
2020
Digital Illustration
This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)
2023
Oil paint on canvas
A cat in a Japanese restaurant.
2019
3D computer graphics
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Link to Website
2016
Still from a web series
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
2021
Projection Installation
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
Ink Resist on Paper
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
How do you heal after being discarded?
Acrylic on Canvas
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
Pen and Ink
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
Photograph of Man in Paris
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
Photograph
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
Oil on wood panel
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
2015
Mixed Media
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
Digital Photograph
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.
Oil on Canvas
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.
2024
Sculpture