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Cairo Mo '20
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
2018
Oil paint on canvas
By Cairo Mo '20
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.
2019
Colored Pencil on Paper, Digital
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
Link to Website
2020
Body Paint on Skin
A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.
2021
Photography
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
2017
Ink and print on wood
This short film was submitted as part of my arts portfolio for my Stanford application
Short Film
This is the place no one would want to miss.
Photo
Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life. Duration: 05:05
Video Art
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
acrylic on canvas
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
The Countour of White Sands NP
2023
Photograph
This is an image of a mushroom found on a trail off Old La Honda Road. I wanted to create a mystical yet comforting feeling surrounding the mushroom.
I created this piece in order to show a city full of life in contrast to one that is merely an outline.
2016
Acrylic on Paper
Girl meets whale.
Digital Illustration
This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.
Photograph of Athletics
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Analog Film
Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling
acrylic on cardboard
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
Colored Pencil
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.