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A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
2018
Mixed Media
By Noah DeWald '20
As a landscape photographer, I like to see things in different light.
2016
Photo with artistic editing
By Lining Sun '18
“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast.
Link to Artwork
2024
Watercolors and inkpen on mixed media paper
By Lavinia Pedrollo '28
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
2022
Oil paint on canvas
By Christina Kent '22
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
By Dayeeta Pal '27
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
By Jamie Seney '21
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
2022
Photography/digital collage
By Vrinda Suresh '21
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
By Victoria Chiek '22
Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.
2024
Oil on Canvas
By Bryan Defjan '24
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
By Charlie Jarvis '19
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
By Vrinda Suresh '21
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
By Katie Han '23
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
2022
Wood sculpture
By Bryan Defjan '24
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
2017
Enamel Paint
By Tyler Su '20
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
2021
Acrylic on canvas, some collage from a news story
By Vrinda Suresh '21
