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Student Artist
Undeclared 2027 @a.jkim_art
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
2020
Acrylic Paint on Canvas
As a landscape photographer, I like to see things in different light.
2016
Photo with artistic editing
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
2018
Oil paint on canvas
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
Colored pencil
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
Mixed Media/Collage
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
Link to Website
2024
Video Art (with sound)
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
Mixed Media
A self portrait done in the style of the Old Masters.
Oil Paint on Canvas
This piece is a manipulated photograph printed on metal.
2019
Mixed Media on Metal
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
oil on cnavs
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Analog Film
Continuation of After Class Hours.
Digital Illustration
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
Graphite on Paper
August on my family’s ranch in Jalisco, México.
2017
Environmental Photographs
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
Gouache on Paper
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
Collage & ink pen
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
2022
Oil on canvas
A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.
Colored Pencil on Paper