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self – portrait
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
Figure 57
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
By Noah DeWald '20
Nicollette (Venice, Italy)
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
2018
acrylic on canvas
By Vedika Kanchan '23
A Matter of Time
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
2019
Acrylic Paint on Canvas
By Sarah Dong '26
Self-Portrait
This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.
2018
Oil paint on canvas
By Madeleine Yip '02
Streebal: Stories of Women and Power (Pre-show photoshoot)
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
By Robin Willscheidt '19
Untitled
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
2018
Mixed Media/Collage
By Lilith Frakes '21
X
Art reveals souls in day and night.
A dynamic clash, emotions entwined,
In this vibrant realm, our spirits aligned.
2024
Digital Media – Made with Procreate for Apple iPad
By Lavinia Pedrollo '28
Genesis
This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.
2016
Wax Pastel on Wood
By Lia "Bear" Kim '21
The Art of Binaural Beats
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
2020
Watercolor on Paper
By Marie Bland '23
Self-portrait
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
2017
Photograph
By Julianna Yonis '21
Melting Flesh
This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.
2022
3D animation (Blender)
By Laia Bent '25
Looking Back 2021
2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.
2021
Acrylic Paint on Canvas
By Sarah Dong '26
Good Morning
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
2022
Oil on canvas
By Jackie Liu '25
Il Fait Noir
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
By Charlie Jarvis '19
Yanofsky’s Legacy
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
2018
Photograph
By Suzanne Ou '23
An Indian’s Journey to Stanford
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
By Dayeeta Pal '27
The Body as Canvas
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
2020
Body Paint on Skin
By Savannah Mohacsi '20
Suspended (Acropolis, Athens)
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
By Vedika Kanchan '23
Sea Slug, Giant Green Anemone, Starfish Scene
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
By Will Pangburn '29