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This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
2017
Oil Paint on Canvas
By Francesca Colombo Colombo '19
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
2020
Analog Film
By May Levin '24
A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.
2018
Colored Pencil on Paper
By German Enik '22
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
2022
Photography/digital collage
By Vrinda Suresh '21
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
By Kimberly Te '20
I use this artwork to ask, “What has become of our childhood innocence?”
2019
ink on paper, collage
By Helena Zhang '22
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
By Yifei He '22
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
2018
Charcoal on Paper
By Noah DeWald '20
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
2019
Oil paint on Canvas
By Mackenzie Carlson '23
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
By Ali Vaughan '19
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2018
Photo
By Lining Sun '18
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
2022
Oil paint on canvas
By Christina Kent '22
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
2024
Sculpture
By Cooper Shea '24
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
2018
Graphite on Paper
By Francesca Colombo '19