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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Ali Vaughan '19

Art Practice/Art History 2019

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Soldier I

Untitled (Study for St. Sebastian) and Untitled (Study for Gabriel)

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Ritual

“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.

Link to Website

2020

Interactive narrative horror game/file explorer experience

By Noah DeWald '20

Internal Reflections

This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.

2018

Oil Paint on Canvas

By Lorena Diosdado '21

Post-Election Blues

Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.

2024

Acrylic on Canvas

By Bryan Defjan '24

Clam Song, Biter

In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.

2020

Digital inkjet print

By Harry Cole '20

Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By Jamie Seney '21

This Too Shall Pass

With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.

2023

Oil on wood panel

By Jackie Liu '25

Nino

A portrait of a good dog who has traveled a very long way.

2020

Acrylic Paint on Canvas

By Anneke Claypool '21

Portrait of Queer Person

The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body

2022

Acrylic paint on canvas

By Aileen Rubio '26

Yin and Yang of the Bay

The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.

2020

Photography

By Melissa Boswell '21

self control (hot tub)

This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.

2022

Oil Paint on Canvas

By Cairo Mo '20

Cat in Paris

A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.

2019

Colored Pencil

By Sarah Dong '26

Rancho de San Luis, JAL, MX

August on my family’s ranch in Jalisco, México.

Link to Website

2017

Environmental Photographs

By Kamilah Nicalli Arteaga '22

Phone Handscapes

The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.

Link to Website

2019

iPhone photographs, collaged on Photoshop

By Katie Han '23

Self-portrait

A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.

2020

Digital Collage

By Phoebe Kimm '20

Sandy Treasures

This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.

2022

Acrylic Paint on Canvas

By Sarah Dong '26

Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By Andrew Sungtaek Ingersoll '25

closeted

In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.

Link to Website

2021

Projection Installation

By Jianna So '22

hide my emotions

Hide my anger behind flowers // my anxiety behind moths // my sadness behind ▓▓▓

2018

Photoshop

By Angela He '21

Main Quad Blues

Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.

2019

Digital Illustration

By Helen He '23

Lake Nakuru

My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.

2017

Acrylic Paint on Canvas

By Angela Liu '23
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