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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Vrinda Suresh '21

Biology (Ecology and Evolution) 2021 @vrinda.rt

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Portrait of a Glass, Empty (2020); Barriers (2021)

(un)grounded

“Vast, grafted monoculture”

Portrait of a Glass, Empty

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Maasai Warriors

I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.

2016

Charcoal

By Angela Liu '23
Portrait of a Glass, Empty (2020); Barriers (2021)

Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.

2021

Acrylic on canvas, some collage from a news story

By Vrinda Suresh '21
Sezen

“I’ve loved you since the day I met you”

2023

Acrylic on Canvas

By Vedika Kanchan '23
Venice

A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.

2018

Colored Pencil on Paper

By German Enik '22
Reflections

This is a picture of the hub of the city getting reflected in the river water.

2021

Acrylic Paint on Canvas

By Dayeeta Pal '27
Sleepyhead

Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.

2022

Oil on canvas

By Jackie Liu '25
More Than A Living Goddess

Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.

2022

Graphite

By Nisha Acharya '26
Where Language Begins and Does Not End

An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.

2018

acrylic and mixed media

By Syd Westley '21
Ebb

This image plays with scale, texture, and the physicality of water.

2016

Color Film

By Chase Porter '17
Death of Chaos

A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.

2015

Digital Visual Art

By Andrew Lesh '19
Memorial Church

Light fluctuations through stained glass is always beautiful and ethereal at different times of day.

2025

Photograph of the Stanford Memorial Church

By Vivian Xiao '28
Lightbulb of the Lightning Bugs

I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.

2021

MultiMedia(Charcoal and Colored Pencil)

By Janice Li '24
Illuminating the Mind

De-identified photograph taken for artistic purposes with permission from anatomy professors.

2015

Photograph

By Maia Mosse '20
Genesis

This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.

2016

Wax Pastel on Wood

By Lia "Bear" Kim '21
Way After Class Hours

Continuation of After Class Hours.

2020

Digital Illustration

By Helen He '23
Forsaken

Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an

2022

Oil Paint on Canvas

By Apoorva Panidapu '27
Digital Youth

A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.

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2021

Photography

By Bryan Defjan '24
I Feel Like A Big Boy

Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling
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2023

Poetry

By Shlok Sampat '24
Nangeli

The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.

2022

Mural

By Aatika Singh '28
Queer Intimacy

These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.

2022

Wood sculpture

By Bryan Defjan '24
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