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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Kyle Cromer '20

Postdoc/Pediatrics 2020 @cr0matic

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Life Like Weeds nos. 2 & 3… Archimedean Solids or The Passage from Virgin to Bride… Eternal Sunshine or The Bride Laid Upon the Altar… In Fifteen Minutes Everyone Will Be Famous

Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2

Refresh Artwork
Close Modal
Mirror in my mind

An exploration of nature’s healing power as an avenue for escapism and introspection.

2022

Ballpoint and pencil on paper

By Bryan Defjan '24
let it out;

Cool portrait of girl trying to keep in her tears.

2018

Photoshop

By Angela He '21
Dish in layers

Lucky to witness a green Dish.

2017

Photo

By Lining Sun '18
Community

Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.

2019

Photograph

By Yifei He '22
Exotic Oriental Murder Mystery!

This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?

2017

Ink and print on wood

By Olivia Popp '20
Elevation

Serenity from within results from letting go.

2014

Watercolor

By Sophia Lu '19
Bioluminescence

Mimicking the beauty of bioluminescence.

Link to Website

2022

Digital Photography

By Katie Han '23
Bruises

Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.

2016

Oil on canvas

By Nan Munger '20
Hoover Tower Day and Night

It’s a shame if you did not get around time to see Hoover Tower in different lights.

2018

Photo

By Lining Sun '18
Flames

A study on ephemeral hands, and an attempt to capture desperate grasping.

2014

Gesso on card.

By Katherine Yang '20
She’ll make it.

Silhouette of a black woman, breathing her way through.

2020

Acrylic on Canvas

By Brandi Ransom '23
What We Build

Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.

2019

Adobe Photoshop Illustration

By Helen He '23
night

An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.

2017

Oil paint and paper on paper

By Cairo Mo '20
Focus

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By Yifei He '22
An Indian’s Journey to Stanford

This painting is a depiction of my first month here at Stanford.

2022

Water Color on Paper

By Dayeeta Pal '27
The Body as Canvas

Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.

Link to Website

2020

Body Paint on Skin

By Savannah Mohacsi '20
from now on

This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.

2023

ink on rice paper; poetry

By Katie Han '23
Oh, Dear

This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.

2015

Oil on canvas

By Shin Mei Chan '18
Spin

Abstract photography with the goal of rendering mundane objects unrecognizable.

2018

Photography

By Noah DeWald '20
Breaking Point

This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.

Link to Website

2020

Boulder & Rope

By Paige Warmington '22
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