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Fathom by Camilla Utterback
Stanford Computing and Data Science building (CoDa)

Fathom by Camille Utterback

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Kyle Cromer '20

Postdoc/Pediatrics 2020 @cr0matic

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Life Like Weeds nos. 2 & 3… Archimedean Solids or The Passage from Virgin to Bride… Eternal Sunshine or The Bride Laid Upon the Altar… In Fifteen Minutes Everyone Will Be Famous

Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2

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I Am Home

This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.

2017

Oil on Canvas

By Francesca Colombo Colombo '19

Stand Up

I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.

2017

acrylic on wood

By Helena Zhang '22

The Cat and the Fish

A cat in a Japanese restaurant.

2019

3D computer graphics

By Yifei He '22

Salu-Salo (The Act of Eating Together)

This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.

2024

Monoprints on food wrapping paper, laser cut stencils

By Mhar Tenorio '24

˗ˏˋ safe ☽ ˎˊ˗

Two girls, Cloud and Moon, are safe in space.

2018

Photoshop

By Angela He '21

Sunset at Sutro Baths

A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.

2022

Oil paint on canvas

By Christina Kent '22

Untitled (Study for St. Sebastian) and Untitled (Study for Gabriel)

Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.

2018

Graphite and watercolor on paper

By Ali Vaughan '19

Abundance

I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.

2023

Oil on Canvas

By Jang Lee '27

How Small Are We?

Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling

2020

acrylic on cardboard

By Helena Zhang '22

Untitled

This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.

2017

Digital Collage

By Delaney Rua '20

Quarantine Paintings

These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.

2020

gouache (two images combined digitally)

By Katie Han '23

Monstera

(Work in progress) Monstera in grayscale w/ orchre yellow stems

2024

Oil on Canvas

By Chang M. Yun '28

A Sonnet for the Bygone Earth

My artwork is a sonnet in which two stars reminisce about Earth.
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2023

Poem

By Jenny Xiong '24

Figure 57

This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.

2014

fine-tip pen and watercolor on paper

By Noah DeWald '20

Spin

Abstract photography with the goal of rendering mundane objects unrecognizable.

2018

Photography

By Noah DeWald '20

Untitled

[how I avoid winter quarter: experiments with colors and a palette knife]

2017

Oil Paint on Canvas

By Meg McNulty '20

Sandy Treasures

This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.

2022

Acrylic Paint on Canvas

By Sarah Dong '26

coffee showers

inspired by Mondays, morning showers, and an addiction to caffeine.

2019

Digital illustration

By Elaine Park '21

Static

I was inspired by the stillness of this moment, the warm light, and the beautiful shadows created by the trees. This was based on SF Japantown.

2020

gouache on paper

By Katie Han '23

Glitch, Beyond the Cracks

This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.

2020

Colored pencil

By Tracy Wei '26
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