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Student Artist
Medical School 2020 @maiapapaya120
The Countour of White Sands NP
2023
Photograph
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.
2016
Mixed media (oil paint, charcoal, pastel, grass) on canvas
This short film was submitted as part of my arts portfolio for my Stanford application
Link to Website
2021
Short Film
Knowledge allows the mind to bloom.
2022
Digital Illustration
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
2018
Paper Maps on Cardboard
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
acrylic on canvas
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
Photography
This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.
Acrylic Paint on Canvas
I love the idea of a personal brand, especially in 2016.
2014
Color Film
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
Pencil and paper
A fun, surreal piece exploring themes related to the modern food industry.
Watercolor on Paper
This painting is in honor of Ahina and all the women that spend years wishing for a day at school.
2017
46″ x 32”
I took this photograph in a forrest in Germany. I wonder what the dog is doing right now.
A portrait of a good dog.
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
Wood sculpture
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
Charcoal and Ink on Toned Paper
Contemplating place in the West, while memories of home in the South persist.
Acrylic on Canvas 40 x 30 in
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.
Oil Paint on Canvas