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De-identified photograph taken for artistic purposes with permission from anatomy professors.
2015
Photograph
By Maia Mosse '20
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
2016
Still from a web series
By Katie Adams '17
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
2017
acrylic on wood
By Helena Zhang '22
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
Acrylic on Canvas
By Hannah Cha '25
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
2020
gouache (two images combined digitally)
By Katie Han '23
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
By Vrinda Suresh '21
A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
2019
Colored Pencil
By Sarah Dong '26
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
2020
Acrylic Paint on Canvas
By Hannah Cha '25
A sketched self-portrait replaced into its photographic context.
2020
Graphite on Paper, Photograph
By Phoebe Kimm '20
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
2018
oil on cnavs
By Cathy Yang '20
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
2017
Ink and print on wood
By Olivia Popp '20
A fantastical city illustrating a water-based transportation system.
2020
Digital painting
By Catherine Mullings '22