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Tyler Su '20
An ongoing series attempting to create an emotive instant through color theory principles
2017
Acrylic on Canvas
By Tyler Su '20
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
2018
Photograph
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
2022
Acrylic Paint on Canvas
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.
Digital Visual Art
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
Wood sculpture
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
Wood Sculpture
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Watercolor
This means “my cabbage” in Russian, and the word also means “money”. This was inspired by a photo from r/peopleofwalmart.
Digital Art
Location: Main Quad
2023
Digital Illustration
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
Oil on wood panel
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
Shriram California photos
2019
Digital photographs
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
Charcoal on Paper
I love the idea of a personal brand, especially in 2016.
2014
Color Film
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Link to Website
Still from a web series
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.