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Tyler Su '20
An ongoing series attempting to create an emotive instant through color theory principles
2017
Acrylic on Canvas
By Tyler Su '20
This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.
Digital Collage
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in ChavÃn de Huántar.
Digital Visual Art
Mount Daly in Snowmass, Colorado
2022
Gouache paint on watercolor paper
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
Digital Photograph
Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.
2018
Digital Rendering
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
2020
Acrylic Paint on Canvas
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
gouache (two images combined digitally)
This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’
Link to Website
2023
Photograph of Performance (solo play)
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
This is an image of a mushroom found on a trail off Old La Honda Road. I wanted to create a mystical yet comforting feeling surrounding the mushroom.
I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.
Oil on Canvas
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
2015
Mixed Media
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
Oil paint on canvas
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
ink on rice paper; poetry
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
Digital Photographs
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024