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Tyler Su '20
An ongoing series attempting to create an emotive instant through color theory principles
2017
Acrylic on Canvas
By Tyler Su '20
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
Photograph
The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.
2022
Mural
This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’
Link to Website
2023
Photograph of Performance (solo play)
The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
acrylic on canvas
This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink. Link to Artwork
2020
colored pencil, poetry
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
2018
Oil on canvas
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
Oil paint on found wood
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
Digital Illustration
A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.
2021
Photography
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
Projection Installation
I painted a face digitally, and I like frames, angels, and rocket ships.
Digital Art
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
Algorithmic Art made with Processing
History is tied to humanity. There is something heartening about a city that takes pride in its past.
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Photographs
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
This painting is a depiction of my first month here at Stanford.
Water Color on Paper
As we were walking through the streets in Rome, my mom noticed the harsh shadows hitting the restaurant in front of us, creating gorgeous colors.
Acrylic Paint on Canvas