Student Artist
Chase Porter '17
Product Design 2017 @cheports
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Nangeli
The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.
2022
Mural
By Aatika Singh '28
A Moment at the Louvre
This is a painting of inception as an artist recreates a Delacroix masterpiece, “The Death of Sardanapalus” with a little boy looking up in awe.
2021
Acrylic Paint on Canvas
By Sarah Dong '26
Anatomy of the Vogue
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
2016
Colored Pencil
By Meagan Wu '18
Memory
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
2018
Mixed Media
By Noah DeWald '20
Portrait of a Queer Person
Abstract portrait that transcends the restrictions of the body and provides the opportunity for anyone of any background to identify with the piece.
2022
Acrylic Paint on Wood
By Aileen Rubio '26
Self Portrait
A self portrait done in the style of the Old Masters.
2014
Oil Paint on Canvas
By Francesca Colombo Colombo '19
Figure 57
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
By Noah DeWald '20
Two versions of my favorite picture of the church
As a landscape photographer, I like to see things in different light.
2016
Photo with artistic editing
By Lining Sun '18
My Boy
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
By Victoria Hill '20
Golfing on a Grassy Ground
This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.
2018
Photograph of Athletics
By Christian Ostberg '20
The Art of Binaural Beats
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
2020
Watercolor on Paper
By Marie Bland '23
No RECAmpense
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
2023
35mm Photography
By Weston Keller '27
Truth
I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.
2018
Acrylic paint on canvas
By Nicola Buskirk '22
Buried
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
By Darren Shiao '27
Waste Mismanagement
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
2019
Digital illustration and collage
By Elaine Park '21
What We Build
Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.
2019
Adobe Photoshop Illustration
By Helen He '23
Nostalgia
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
2017
Oil Paint on Canvas
By Francesca Colombo Colombo '19
Art at Stanford
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Desire
Self portrait at the height of COVID and my own extraordinary depression.
2020
Oil paint on canvas
By Sophia Siegel '25