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Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
2023
Charcoal and Mixed Media on Salvaged Cotton and Organza
By Lily Thai '27
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
2020
Colored pencil
By Tracy Wei '26
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
By Victoria Chiek '22
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
By Jamie Seney '21
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
By Jackie Liu '25
Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.
2024
Oil on Canvas
By Bryan Defjan '24
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.
2021
Wood Sculpture
By Zaki Rob '25
Bright orange poppies burst into the foreground framed by cool blue houses behind.
2022
Oil paint on panel
By Christina Kent '22
A surreal portrayal of the cost of modern designer fashion culture.
2015
Scratchboard
By Noah DeWald '20
Self portrait at the height of COVID and my own extraordinary depression.
2020
Oil paint on canvas
By Sophia Siegel '25
This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.
2018
Photograph of a physical collage (paper, printed image)
By Isabel Benak '22
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
2018
Oil on canvas
By Cathy Yang '20
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
2019
iPhone photographs, collaged on Photoshop
By Katie Han '23
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
2018
Photograph
By Suzanne Ou '23