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This is an image of a mushroom found on a trail off Old La Honda Road. I wanted to create a mystical yet comforting feeling surrounding the mushroom.
2018
Photography
By Nicholas Robles '20
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
2022
Acrylic paint on canvas
By Aileen Rubio '26
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
2019
Oil paint on Canvas
By Mackenzie Carlson '23
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
2020
Vector drawing and photography
By Vrinda Suresh '21
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
By Savannah Mohacsi '20
I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.
2020
song / soundscape
By Elias Feierabend-Peters '20
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
2016
Graphic Design and Print
By Tyler Su '20
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
Location: Law School terrace
2020
Digital Illustration
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
By Victoria Chiek '22
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
By Charlie Jarvis '19
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
Acrylic on Canvas
By Hannah Cha '25
These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
2018
Photograph of campus scenes
By Khuyen Le '21
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
2019
Collage, ink pen
By Kyle Cromer '20
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
2024
Monoprints on food wrapping paper, laser cut stencils
By Mhar Tenorio '24
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
2022
Oil paint on canvas
By Christina Kent '22
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
2020
Acrylic Paint on Canvas
By Sarah Dong '26