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Cairo Mo '20
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
2017
Oil paint and paper on paper
By Cairo Mo '20
Oh! The Puppet Show begins! Here I am the puppet master presenting the BOSP Poland Overseas Seminar with my puppet show I made entirely from scratch!
Link to Website
Photograph of Performance
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
2021
Acrylic on canvas, some collage from a news story
This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.
2016
Wax Pastel on Wood
A collection of 8 poetic pieces that pull from, build upon, and draw inspiration from the Brown queer experience of a drag artist at a PWI. Link to Artwork Link to Website
2024
Collection of Poetry
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi fish as the two tones mesh following the flow of the fish.
Oil Paint on Canvas
How do you heal after being discarded?
Acrylic on Canvas
Impressions of animal magnetism and the collective unconscious.
Digital Visual Art
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
Video Art
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
Mimicking the beauty of bioluminescence.
2022
Digital Photography
A series of photo edits of everyday moments at Stanford.
Digital Art
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
Laser Cut Birchwood
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
Oil paint on canvas
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
Ink and print on wood
The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.
2023
machine embroidery on cotton fabric
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
Charcoal and Mixed Media on Salvaged Cotton and Organza
*sixth photograph of Hidden Gems series
Series of Photographs
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
code poems