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Saturday, October 26
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Student Artist
Data Science 2026 @sarahhdong
BEAM Stanford-related photos
2019
Digital photographs
A wristwatch lies across a keyboard with numbers juxtaposing letters, emphasizing how some things are not meant to be rushed and will happen in time.
Acrylic on Canvas
As a landscape photographer, I like to see things in different light.
2016
Photo with artistic editing
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Link to Website
Photography
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
2022
Photography/digital collage
Mount Daly in Snowmass, Colorado
Gouache paint on watercolor paper
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
Oil paint on canvas
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
2020
Pen and Ink
This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’
2023
Photograph of Performance (solo play)
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
Oil on canvas
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
Digital art
This is a painting of inception as an artist recreates a Delacroix masterpiece, “The Death of Sardanapalus” with a little boy looking up in awe.
2021
Acrylic Paint on Canvas
August on my family’s ranch in Jalisco, México.
2017
Environmental Photographs
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.
song / soundscape
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
Photograph
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
Colored pencil
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
I was inspired by the stillness of this moment, the warm light, and the beautiful shadows created by the trees. This was based on SF Japantown.
gouache on paper