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“Amulets” by Alia Farid on Meyer Green. | Andrew Brodhead
Plinth Project

Amulets by Alia Farid

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Sarah Dong '26

Data Science 2026 @sarahhdong

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Looking Back 2021

A Matter of Time

A Moment at the Louvre

Reaching Out

Sandy Treasures

Sandy Treasures

Cat in Paris

Into the Mist

The Spire of Notre Dame

A Matter of Time

A Moment at the Louvre

Refresh Artwork
Close Modal

Do electric sheep dream of pet birds?

Androids may dream of electric sheep, and electric sheep …

2022

doodle

By Mingqi Shuai '26

middle passage

A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″

2017

Oil paint on paper

By Cairo Mo '20

Top of Altare della Patria

I was looking for a subject I could depict using my new ink pens, and this sculpture was perfect because it included lots of shadows and some colors.

2016

Ink Pen

By Angela Liu '23

GROWTHesque

This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’

Link to Website

2023

Photograph of Performance (solo play)

By Leeth Singhage '26

head in the clouds

Girl has a moment of clarity when her head is in the clouds.

2018

Photoshop

By Angela He '21

Dish in layers

Lucky to witness a green Dish.

2017

Photo

By Lining Sun '18

Way After Class Hours

Continuation of After Class Hours.

2020

Digital Illustration

By Helen He '23

Consumed

This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.

2017

Ink on Paper

By Annie Ng '20

Study of Rodin Bust

This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.

2018

Charcoal, white chalk on toned paper

By Noah DeWald '20

Hey, where are you right now?

I love the idea of a personal brand, especially in 2016.

2014

Color Film

By Chase Porter '17

Cat in Paris

A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.

2019

Colored Pencil

By Sarah Dong '26

self control (hot tub)

This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.

2022

Oil Paint on Canvas

By Cairo Mo '20

Swimming

A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.

2021

Oil Paint on Canvas

By Christina Ba '26

Untitled

A faceless woman in a room of South Vietnamese soldiers

2022

Graphite on Paper

By Lily Thai '27

self – portrait

This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.

2018

Oil Paint on Canvas

By Esther Omole '21

Not Yet

An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.

2016

Digital Visual Art

By Andrew Lesh '19

Black Liberation Month Community Mural

This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”

2023

Acrylic on Paper

By Sky Walker '24

Vanishing Act II

A digital re-imagining of my piece about humanity’s changing relationship with the natural world.

2015

Mixed Media

By Noah DeWald '20

Photos of Old Beijing

These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.

2019

monotype on paper

By Cathy Yang '20

Art at Stanford

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
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Artwork

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